Interviews with the directors of festival films – exclusively for Scanorama.
At the Cannes Film Festival, Natalija Serebriakova spoke with Sandra Wollner, director of <i>Every Time</i>, at the request of Scanorama. S. Wollner discussed the creative process behind <i>Every Time</i>, its themes of grief and memory, working with actors, and the importance of intuition in filmmaking.
At the Berlin International Film Festival, Natalija Serebriakova spoke in a special interview for Scanorama with filmmaker Ulrike Ottinger, a creator with a singular vision, about her latest film, “The Blood Countess”—a multilayered, visually rich journey exploring the themes of mythology, power, and time.
At the Cannes Film Festival, Natalija Serebriakova spoke with Sandra Wollner, director of <i>Every Time</i>, at the request of Scanorama. S. Wollner discussed the creative process behind <i>Every Time</i>, its themes of grief and memory, working with actors, and the importance of intuition in filmmaking.
At the Berlin International Film Festival, Natalija Serebriakova spoke in a special interview for Scanorama with filmmaker Ulrike Ottinger, a creator with a singular vision, about her latest film, “The Blood Countess”—a multilayered, visually rich journey exploring the themes of mythology, power, and time.
At the Cannes Film Festival, film critic Natalija Serebriakova spoke with director Marie Kreutzer on behalf of “Scanorama.” Kreutzer’s film “The Gentle Monster” – a harrowing family drama about the consequences of abuse – was selected for the official competition and competed for the Palme d’Or.
Lapkričio 5-ąją Europos kino festivalį „Scanorama“ Vilniuje atidarys britų režisieriaus Granto Gee filmas „Visiems patinka Billas Evansas“. Filmo premjera įvyko konkursinėje 76-osios Berlynalės programoje, kur G. Gee pelnė „Sidabrinį lokį“ už geriausią režisūrą – vieną svarbiausių festivalio apdovanojimų.
Programme announcements, filmmaker interviews, ticket and event news – straight from Scanorama.
