International Feature Film Competition

Main Competition

With this competition programme, we aim to highlight the originality and boldness of emerging European filmmakers. The selection features directors presenting their first, second or third works.

“Supporting Role”, dir. Ana Urushadze
“Supporting Role”, dir. Ana Urushadze 01 / 10

About the competition

Ten films, each with its own distinctive tone, compete to reveal the richness and diversity of European cinema, outlining the future contours of a curious and ambitious new generation.

Traditional narrative and original hybrid forms, bold innovation and the quiet tone of contemplative storytelling, documentary insight and fictional creativity – these are the diverse coordinates of our Main Competition. This year, they come together in particularly intriguing ways, opening up encounters between power and humanity, the tragedy of existential loneliness, and dramas of emotion and human relationships.

Film festivals around the world are paying ever closer attention to the potential of first-time filmmakers and are creating special programmes dedicated to debut films. Our selection drew on the Berlinale’s Perspectives, Cannes’ ambitious ACID programme, San Sebastián’s New Directors, Venice’s Giornate degli Autori, as well as special programmes at Locarno and Göteborg. First films can also surprise with their artistic maturity and distinctive visual language. The jury of the Main Competition will therefore face no easy task in selecting the best film.

The Main Competition award is presented by

Jury

Simone Baumann is a German producer and expert in international co-productions, with more than 35 years of experience in fiction and documentary film production. Since 2019, she has been the Managing Director of German Films, the organisation responsible for the international promotion and distribution of German cinema.

Jaana Puskala is a Finnish film-industry professional who worked at the Finnish Film Foundation for more than three decades. She has attended the Cannes Film Festival 33 times and has organised hundreds of Finnish film weeks and events around the world, from China to Iran.

Sunna Guðnadóttir is an Icelandic film producer and the founder of the production company Bjartsýn Films. She gained international experience working on films by Hlynur Pálmason and Guðmundur Arnar Guðmundsson, and made her debut as lead producer on Helena Stefánsdóttir’s Natatorium in 2024.

Jannike Åhlund is a Swedish cultural journalist and film critic. Until 2007, she served as the Artistic Director of the Göteborg Film Festival. Currently, she chairs the boards of the Bergman Center on Fårö and the Tempo Documentary Film Festival.

Stefan Djordjević is a Serbian director, cinematographer and actor. He began his film career with a role in Tilva Roš. After graduating from the Faculty of Dramatic Arts in Belgrade, he went on to make short films. His internationally acclaimed feature directorial debut, Wind, Talk to Me, was presented in Scanorama’s feature film competition in 2025.

Jury member

Simone Baumann

Simone Baumann is a German producer and expert in international co-productions, with more than 35 years of experience in fiction and documentary film production. Since 2019, she has been the Managing Director of German Films, the organisation responsible for the international promotion and distribution of German cinema.

Jury member

Jaana Puskala

Jaana Puskala is a Finnish film-industry professional who worked at the Finnish Film Foundation for more than three decades. She has attended the Cannes Film Festival 33 times and has organised hundreds of Finnish film weeks and events around the world, from China to Iran.

Jury member

Sunna Guðnadóttir

Sunna Guðnadóttir is an Icelandic film producer and the founder of the production company Bjartsýn Films. She gained international experience working on films by Hlynur Pálmason and Guðmundur Arnar Guðmundsson, and made her debut as lead producer on Helena Stefánsdóttir’s Natatorium in 2024.

Jury member

Jannike Åhlund

Jannike Åhlund is a Swedish cultural journalist and film critic. Until 2007, she served as the Artistic Director of the Göteborg Film Festival. Currently, she chairs the boards of the Bergman Center on Fårö and the Tempo Documentary Film Festival.

Member of Jury

Stefan Djordjević

Stefan Djordjević is a Serbian director, cinematographer and actor. He began his film career with a role in Tilva Roš. After graduating from the Faculty of Dramatic Arts in Belgrade, he went on to make short films. His internationally acclaimed feature directorial debut, Wind, Talk to Me, was presented in Scanorama’s feature film competition in 2025.

Competition films

“In Lebanon, contemporary history is not taught in schools,” declares the film’s opening title. How can a painful and fragmented history be told in a country without a national archive? Drawing on films, news reports, home movies and popular songs spanning the past seventy years, filmmaker Lana Daher explores the Lebanese collective consciousness, shaped equally by joy and grief. Images of the civil war give way to Israeli bombardments, while rituals of everyday life - weddings and domestic scenes - punctuate the political narrative. Poetically weaving together disparate media, Daher reconstructs the country’s memory. Making and watching films become acts of preserving its history.
01

Do You Love Me

France, Lebanon, Germany, Qatar, 2025 · 1 hr. 15 min.

Dir. Lana Daher
A filmmaker and multidisciplinary artist based in Beirut, Lebanon, Lana Daher studied filmmaking, visual arts and graphic design. She is an active presence on Beirut’s art and music scenes, bringing together sound, image and archival research in her work. Her debut feature, Do You Love Me, is accompanied by a website cataloguing the project’s sources and materials. The project aims to bring Lebanon’s cinematic heritage to a wider audience.

Screenings

  • 16:40 Wednesday, November 11 · Forum Cinemas Kaune, Hall 4, Kaunas Tickets ↗
  • 18:30 Thursday, November 12 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 16:30 Saturday, November 14 · Forum Cinemas Vingis, Hall 9, Vilnius Tickets ↗

About the film ↗

Rinaldas Tomaševičius’s film is neither the first nor, most likely, the last to look at life behind bars. The lives of those who have made mistakes are usually neither interesting nor appealing. Isn’t that precisely the purpose and role of isolation from society? Tomaševičius, who has experienced life on the margins and in the shadows of society, creates a film that is unique in its multilayered, sensitive, unpolished documentary approach. Do even those who have fallen the lowest deserve a second chance? Beneath the rough language, chilling stories, and isolated daily lives of prisoners, the director manages to reveal that even under the most hopeless circumstances, humanity remains a possibility.
02

I Want to Be Human

Lithuania, 2026 · 1 hr. 29 min.

Dir. Rinaldas Tomaševičius
Rinaldas Tomaševičius is a film director and screenwriter. Rinaldas is primarily interested in stories about people who do not conform to social norms. He strives to help people on the margins integrate into society and has personally supported them for many years, volunteering with various organisations that assist former prisoners and people struggling with drug addiction. His short films The Last Time and -15 have been presented at international festivals and have won more than 10 awards.

Screenings

  • 18:00 Saturday, November 14 · Forum Cinemas Vingis, Hall 6, Vilnius Tickets ↗
  • 16:00 Sunday, November 15 · Forum Cinemas Vingis, Hall 9, Vilnius Tickets ↗
  • 20:45 Sunday, November 15 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗

About the film ↗

After years of gruelling studio sessions, relentless touring and hard partying, 29-year-old musician Maja succumbs to a distinctly twenty-first-century affliction: burnout. Unable to bear the pressure and weight of fame, she moves back in with her mother and takes a part-time job at a local secondary school. Colleagues and friends gradually draw her out of a debilitating depression, while her new reality teaches her to see both life and herself afresh. With a heroine who might have stepped out of a film by Joachim Trier or Éric Rohmer, this warmly received Cannes debut gently suggests that happiness may lie in letting go of crushing ambitions and embracing more modest expectations.
03

Low Expectations

Lave forventninger

Norway, Denmark, 2026 · 1 hr. 45 min.

Dir. Eivind Landsvik
Eivind Landsvik is a Norwegian writer and director. He began his film career directing music videos, developing a sensitive visual style that he later brought to his fiction work. His short film Sofia, Last Summer won the Film Critics’ Award at the Norwegian Short Film Festival. Tits screened in competition at the Cannes Film Festival and went on to appear at more than a hundred festivals worldwide. Low Expectations was selected for Directors’ Fortnight at Cannes.

Screenings

  • 20:30 Friday, November 13 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 20:35 Saturday, November 14 · Forum Cinemas Kaune, Hall 4, Kaunas Tickets ↗

About the film ↗

In a ghostly, seemingly abandoned apartment block in Paris, Yi-En, Junior and Hamzah build a home together. All three have left their countries behind and carry the burden of exile. They share not only a living space, but also memories, dreams and different ideas of what home means. Their unlikely household teems with life, offering shelter to a stray cat and a rescued fish, yet the refuge they have so carefully created remains fragile. Both intimate and atmospheric, the film explores migration, identity and the elusive meaning of home. Tollenaere found inspiration in the urban and social transformation of a replica of Paris in China and in its echoes across the French capital itself.
04

Paris Paris

Belgium, 2026 · 1 hr. 18 min.

Dir. Isabelle Tollenaere
A Belgian filmmaker of Lithuanian heritage, Isabelle Tollenaere explores the role of spontaneity and improvisation in cinema. Her work focuses on the interplay between the rapid transformation of the physical world and the human experience of time and memory. Her short films and documentaries have screened at the Venice Film Festival, the Berlinale, IFFR, the Centre Pompidou, Viennale, Visions du Réel, FIDMarseille, IDFA, CPH and IndieLisboa. Her work has received the Caligari Film Prize at the Berlinale in 2020, the FIPRESCI Prize at IFFR in 2015 and the Special Jury Prize at IndieLisboa in 2020. Paris Paris, her first narrative feature, competed in the Proxima section of the Karlovy Vary International Film Festival.

Screenings

  • 16:30 Wednesday, November 11 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 18:50 Thursday, November 12 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗
  • 19:10 Friday, November 13 · Forum Cinemas Vingis, Hall 11, Vilnius Tickets ↗

About the film ↗

In summer, the resorts along the Adriatic coast are packed with tourists. Rio works in a local hotel kitchen, supplementing his meagre wages by stealing from foreign holidaymakers. When Andrea discovers his thefts, they agree to join forces and split the spoils. What begins as a pragmatic arrangement develops into an unexpected intimacy. With quiet sensitivity, this summery debut explores dreams of a better future and the invisible workers on whose shoulders the tourism industry rests. Winner of the FIPRESCI Prize at the Karlovy Vary International Film Festival, Croatian filmmaker Mate Ugrin’s feature has been hailed as one of the year’s standout films from the Balkans.
05

Petty Thieves

Sitni lopovi

Croatia, France, Germany, Serbia, 2026 · 1 hr. 50 min.

Dir. Mate Ugrin
Mate Ugrin graduated in film directing from the Academy of Arts in Belgrade, Serbia, in 2012. He also holds a Master of Fine Arts from the Hamburg University of Fine Arts and completed the postgraduate Meisterschüler programme at the Berlin University of the Arts. His short films have won awards at festivals in Germany, Serbia and elsewhere. Petty Thieves had its world premiere at the Karlovy Vary International Film Festival.

Screenings

  • 17:40 Tuesday, November 10 · Forum Cinemas Kaune, Hall 4, Kaunas Tickets ↗
  • 18:10 Friday, November 13 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 15:10 Sunday, November 15 · Forum Cinemas Vingis, Hall 11, Vilnius Tickets ↗

About the film ↗

Shaban and his wife Hatixhe run a small cattle farm in rural Kosovo. After a family dispute costs them their herd, their main source of income, they move to Pristina with their daughters in search of work. When Hatixhe’s family offers them jobs cleaning a nightclub, Shaban accepts, but the help brings him more humiliation than relief. The poorly paid work takes its toll, while adapting to a new life governed by the rules of capitalism becomes increasingly unbearable. Shame and Money offers a humane portrait of working life in contemporary Kosovo, asking whether dignity can be preserved in today’s market economy. The film won the World Cinema Grand Jury Prize: Dramatic at the Sundance Film Festival and has since screened at numerous international festivals.
06

Shame and Money

Hatixhja dhe Shabani

Germany, Kosovo, Slovenia, Albania, North Macedonia, Belgium, 2026 · 2 hr. 10 min.

Dir. Visar Morina
Visar Morina was born in Pristina and lives in Cologne. From 2004 to 2010, he studied film at the Academy of Media Arts Cologne. His short films have received awards at festivals in Germany and abroad. His debut feature, Father (2015), won the Best Director Award at the Karlovy Vary International Film Festival, as well as awards for directing and screenwriting at the Munich Film Festival. Morina attended Scanorama in 2016 to present the film.

Screenings

  • 18:00 Sunday, November 8 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 20:30 Monday, November 9 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗
  • 21:00 Wednesday, November 11 · Forum Cinemas Vingis, Hall 12, Vilnius Tickets ↗

About the film ↗

Niaz was once a celebrated star of Georgian cinema. Now back in his homeland, he longs to act again, but the film industry has long since forgotten him. At an audition, a young director offers him the supporting role of an eccentric old man in her debut feature. The old-fashioned Niaz takes offence: young directors, he concludes, no longer respect actors. Given three days to decide, he wanders the streets of Tbilisi, contemplating his own transience, both as an actor and as a man. His disappointment gradually gives way to the realisation that even an unassuming role can open up new possibilities. Supporting Role had its world premiere at the International Film Festival Rotterdam, where it received the Tiger Competition Special Jury Award.
07

Supporting Role

მეორეხარისხოვანი როლი

Georgia, Estonia, Türkiye, Switzerland, United States, 2026 · 2 hr. 20 min.

Dir. Ana Urushadze
Ana Urushadze was born in Tbilisi, Georgia. She graduated from Shota Rustaveli Theatre and Film Georgia State University in 2013 and has written and directed several short films. Her debut feature, Scary Mother, won the Heart of Sarajevo for Best Feature Film and screened at numerous international festivals, including Locarno, Gijón and New Directors/New Films.

Screenings

  • 20:00 Monday, November 9 · Arlekinas, Hall 1, Klaipėda Tickets ↗
  • 20:30 Thursday, November 12 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 17:00 Friday, November 13 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗

About the film ↗

A cleaner dreams of escaping her routine and finding a more meaningful life. One evening, posing as an influential art patron, she invites two art students into her employer’s empty home. Intoxicated by her newfound power, she becomes increasingly entangled in the deception, but what begins as an innocent game soon takes a more troubling turn. Echoing the psychological unease of films by Michael Haneke, Yorgos Lanthimos and Roman Polanski, this taut thriller offers a sharp critique of the elitist and rigidly hierarchical art world, where the hunger for success makes other people’s dreams all too easy to exploit. The film premiered at the Göteborg Film Festival.
08

The Patron

Mecenaten

Sweden, 2026 · 1 hr. 40 min.

Dir. Julia Thelin
Swedish director Julia Thelin has received several prestigious nominations and awards for her short films. Push It competed for the Short Film Palme d’Or at the Cannes Film Festival. In 2019, Sorry Not Sorry won the Startsladden Audience Award at the Göteborg Film Festival. The Patron is her feature debut.

Screenings

  • 15:50 Sunday, November 8 · Forum Cinemas Vingis, Hall 6, Vilnius Tickets ↗
  • 18:40 Wednesday, November 11 · Forum Cinemas Vingis, Hall 11, Vilnius Tickets ↗
  • 20:45 Thursday, November 12 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗

About the film ↗

After fourteen years on the mainland, Hein returns to the fishing village where he grew up, on a remote island. The isolated community greets him coldly, and even his closest relatives suspect him of being an impostor. When a trial is convened to establish his identity, it emerges that Hein’s memories differ even from those of his childhood friend. The villagers’ suspicion hardens into open hostility, and Hein resorts to drastic measures to prove his version of the truth. Drawing on the premise of the classic The Return of Martin Guerre, the film makes inventive use of Brechtian theatrical devices. The village homes are represented by little more than a few façade walls, sharpening the film’s allegory of community as performance and of the power relations enacted within it. Trial of Hein won the Teddy Jury Award in the Perspectives section at Berlinale.
09

Trial of Hein

Der Heimatlose

Germany, 2026 · 2 hr. 2 min.

Dir. Kai Stänicke
Kai Stänicke studied film and television production in Dortmund, where he directed his first short films. After graduating, he worked on various productions as an assistant director and assistant unit manager. His short films have screened at festivals around the world. His feature debut, Trial of Hein, was selected for the Berlinale’s Perspectives section and for New Directors/New Films, a leading showcase for emerging filmmakers, among other festivals. Critics have hailed it as one of the year’s standout debuts. Stänicke will attend Scanorama and meet audiences.

Screenings

  • 17:40 Saturday, November 14 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 14:30 Sunday, November 15 · Forum Cinemas Kaune, Hall 4, Kaunas Tickets ↗
  • 18:00 Sunday, November 15 · Forum Cinemas Vingis, Hall 9, Vilnius Tickets ↗

About the film ↗

What at first glance appears to be an ordinary family day in the south of France gradually reveals itself in Under a Bad Star as a daily reality permeated by anxiety, anger, and the emotional and physical violence that stems from them. Kiki and her partner Alex are trapped in a paralyzing cycle of action and reaction, driven by a distorted, reality-detached notion of love. The couple’s young daughter, Malone, becomes a witness to this relationship drama: over the course of 24 hours, she observes Kiki’s emotional journey as she navigates the twists and turns of pain, passion, confusion, tenderness, and desperation.
10

Under a Bad Star

Mauvaise Étoile

France, 2026 · 2 hr. 5 min.

Dir. Yann Berlie, Lola Cambourieu
Yann Berlier (born 1993 in Montpellier, France) studied political philosophy and applied ethics before teaching philosophy in high school. He later left education to pursue filmmaking. Lola Cambourieu (born 1991 in Albi, France) trained in dramatic arts at Cours Florent and the Conservatoire de Seine-Saint-Denis. After working as an actress and theatre director, she gradually moved into filmmaking, with an interest in the boundary between documentary and fiction. In 2018, Lola and Yann founded the production company Réalviscéralisme. The pair have co-directed several short films, including Panthère (2018), Automne malade (2019), La cousinade (2020) and Enterrement de vie de jeune fille (2021), many of which appeared at international festivals. Their first feature film, Under a Bad Star (Mauvaise étoile), premiered in the ACID section of the 2026 Cannes Film Festival.

Screenings

  • 13:55 Saturday, November 7 · Forum Cinemas Vingis, Hall 10, Vilnius Tickets ↗
  • 20:30 Sunday, November 8 · Forum Cinemas Kaune, Hall 5, Kaunas Tickets ↗
  • 21:00 Wednesday, November 11 · Forum Cinemas Vingis, Hall 9, Vilnius Tickets ↗

About the film ↗